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Gear

Nathan:

Guitars: 1) PRS. 2)Gibson Les Paul Studio. 3)Gibson SG with Redeemer install[by Creation Audio Labs]. 4)Fender American Deluxe Telecaster. 5)Fender Stratocaster.
Amps: 1)Fender Hot Rod Deville 2×12. 2)1950s Epiphone
Pedals/Effects: Ernie Ball VP Jr volume pedal, Boss TU-2 chromatic tuner, Fulltone Fulldrive 2, Fulltone Fat Boost, Creation Audio Labs mk4.21 clean boost pedal, Line6 Verbzilla, Boss DD-6 Digital Delay, Maxon AD-9 analog delay pedal, Boss RC-20 loop station, Loopmaster Bypass Strip 6-channel with master bypass.

Logan:

Guitars: 1) Fender ‘72 Telecaster Deluxe reissue in Crimson Transparent finish. 2)2000s Fender Jazzmaster in Vintage White finish.
Amps: 1969 Fender Twin Reverb
Pedals/Effects: Ernie Ball VP Jr. volume pedal, Boss TU-2 chromatic tuner, Ernie Ball Wah Pedal, Xotic AC Booster, Fat Boost, Fat Boost 2, Eventide TimeFactor multi-delay pedal.

Matt:

Basses: 1)Ernie Ball Music Man Stingray 5-string in “Translucent Orange” finish. 2)Fender Jaguar Bass in “Hot Rod Red” with Redeemer install(by Creation Audio Labs). 3) Gibson Thunderbird IV 5-string in “Sunburst”4) ‘72 Fender Music Master (red). All basses have Elixer medium sized bass strings.
Amps: ‘97 WT-800 by Eden Electronics (first tube/solidstate hybrid bass amplifier), ‘82 Ampeg B-15 solidstate fliptop.
Cabinets: late 90s Ampeg SVT 8×10, late 80s Ampeg SVT-50 Pro Isovent 2×15(15s are inverted for a gnarly punch), Ampeg ‘82 B-15 1×15 fliptop, Ampeg ‘77 V4-B 2×15.
Pedals/Effects: Ernie Ball VP JR volume pedal, Boss TU-2 chromatic tuner, Boss DD-20 Giga Delay, Ibanez TS9 Tube Screamer, Tech 21 Sansamp Character Series “VT Bass”, Creation Audio Labs mk4.21 clean boost pedal.
According to what key a certain song is in, I play a different bass. I use the Stingray on songs that are in the keys of B and C because of the low B string. I use the Jag on everything in the keys of A, D, F, or G.
I like a really middy and growly tone out of my basses, but because of my rig, i can still get that great warm tube low-end that everyone wants in a bass sound.
On Where Saints are Sinners, the Stingray was used exclusively through a GK-1001RB. On The Steeple EP, I used the Jaguar on all 3 songs running through a sansamp bass DI.

Josh:

Drums: C&C Custom Drums in Sparkle Green finish. 1)Kick- 22×22. 2)Snare-8×14. 3-5)Toms- 10×12, 10×14, 16×16.
Cymbals: Zildjian A 14″ hi-hats, Zildjian A Custom 20″ Crash Ride, Zildjian 16″ and 17″ K Custom Fast Crash, Zildjian 19″ Rock Crash.
Hardware: DW 9500 Hi-Hat Stand, DW 5000 double bass pedal.

Jenna:

Jon:

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